Went to San Francisco last week to read a new story for @backpocketpresents “Five Senses.” There were five storytellers, each reading about one of the senses. Mine was “Touch.” Somehow, being on stage speaking is when I feel the least self-conscious (I’m available for weddings and bar mitzvahs!). I fucking love storytelling shows and this was a gooood one. Told a story about what I call my “Telemundo Time” … when my life was so dramatic it rivaled any telenovela on the air. I might try to publish the story somewhere, but I probably won’t. Too many secrets revealed. Which is the beauty of storytelling shows, it exists once verbally and it’s gone forever. More, please.
I used to feel happiest when traveling. Experiencing new places, new people, my only job to discover and explore. It was a hack to feel present, when in reality my inner life was fixated on the past or worrying about the future. My self-worth was based on what exciting new adventure I was cooking up. The truth is I was running – from responsibility, from commitment, from myself. My constant companions were anxiety, credit card debt, and a bunch of photos of the places I’d been that nothing to anyone but me.
Today, being at home is as fulfilling as being abroad. I especially love my office. It overlooks the yard with the pond and the majestic tree. The light is more buttery and brilliant than anywhere I’ve yet seen. This is where I’ve cooked up Forever Flowers, essays and blog posts. This is where @machetebangbang and I have written Moon Manor, with our dog / cat / chameleon colleagues nearby. My office is on the other side of the bathroom, a weird secret hovel high up with the squirrels and scarabs. My mind feels good here. Passport stamps are cool, but inner peace is the best high of all.
Everything on the train is grubby, and it’s more expensive than a flight. But something happens to the mind when on the train. The tethers are loosened. You enter a meditative state. The most fruitful writing and reading time. Nature drifts by outside and you have the best seat in the house. You pass rivers and mountains not even cars can access. It’s the best of all worlds, I’m in a comfortable seat watching the world like a movie screen. Neighborhoods with neighborhood things—kids jumping on trampolines, clothes drying on the line, rusted cars and stray dogs. This trip was 36 hours, my longest yet. The Coast Starlight through the forest and the agricultural fields and the ocean. America’s great West Coast journeying Seattle > LA.
On June 8th, 2018 my dear grandmother “Ruby Love” departed this world for the next. She was 102.
For years I took her dinner every Sunday and painted her nails. Being closer to her was one of the best things about moving to LA. We would discuss what she was reading on her Kindle (she thought 50 Shades of Grey was “mildly entertaining”). She wore shirts that said “Seen it all, done it all, just don’t remember it all.” She loved the Lakers and Johnny Depp. Most of these photos were taken when she was 98, 99, and 100. Dear lord – I hope I have her genes. She was born before women could even vote, and yet she was my biggest teacher of tolerance – people of all faiths, colors and orientations were welcome at her table. I’m trying to not focus on the last 2 years she spent in a home, Alzheimer’s obscuring her personality, although this was also part of her journey and doesn’t need to be banished from her story. Ruby Love was a grand dame, and a muse. Uncle Jimmy and Uncle Ricky wrote a song about her, the first screenplay I ever had optioned was about her. Muse-ship doesn’t end just because a body has finished hanging out on Earth. I’d like to think it’s just the beginning.
The essence of my grandmother is best told in the small details. For years, her exercise was walking inside the perimeter of her apartment, the route so well-worn it was a dark track in the carpet. She liked her nails painted beige or silver, never pink. She wore chic pantsuits and was a champion bowler. She loved Gatorade. My sister Jessica remembers how grandma raised a family and made her extended family important, each and every year, that she loved going to lunch, and shopping at the 99 cent Store.
My grandmother was unsentimental, blunt and sassy. She was not cookies and doilies, she was low-fat and LeSportSac bags. But in our every Sunday routine, the night would inevitably end with me putting my head in her lap so she could rake her long nails across my hair, not unlike how you’d pet a cat. Once we fell into the ritual we’d both go quiet, silently enjoying each other’s company.
I really only knew my grandmother as a single woman living on her own, since my grandfather passed when I was little. She was living proof that a woman cannot only be happy living on her own, she can thrive.
It was only in her late 90s that she started to slow down, and that was only after she fell off a treadmill at the gym. Being on the treadmill at that age is incredible in and of itself! Assistance came in the form of Uncle Jimmy, who heroically put up with her passenger-seat driving on their errands around town.
And I want you to know something about the documentary on grandma I’ve been low-key filming for years – she was directing the footage with me. She came alive when I got out the camera. We had an agreement that I would film everything, not just the happy funny moments, but her whole process into the end of her life. She was always ahead of her time.
Last month was my birthday so I ran away to Tulum for a few days. To me, this picture is México. Rather than the beach and margaritas and all that, it’s the dusty roads, the bark of raggedy dogs, the delightful, too sweet taste of Mexican Coke.
Remembering my first visits to México as a tween, giddy to buy cheap beer without an ID, the rough streets of those early days of Sayulita where Beth’s family had a house and we had a whole other life we’d bi-annually dip into and be “G.I.T.s” … Gypsies In Training. I decided last minute to come on this trip, so maybe I became a gypsy after all? But that’s a cultural appropriation – gypsies are a people who’ve been persecuted terribly over the centuries, the Coachella-fication of their aesthetic on par with Tulum’s tourists who know nothing about the tension simmering under the sunburned streets. But let me not travel down that path. This is a “HBD to me” post after all. Age just has a way of ripping off the blinders.
Back to waxing poetic about the intoxicating magic of México. And thanking @our_habitas and @uproxxtravel for giving me wings to explore @artwithmetulum. A new year for new opportunities. Shameless hotel balcony selfies shall endure, however.
I hope more festivals will take a cue from @artwithmetulum and #partyforapurpose. Four days of art, music and food centered around talks on sustainability and social change. I did a story over at @uproxxtravel if you wanna go seeeee. “The mission of Art With Me *GNP is to enrich the local community, preserve the natural environment and strengthen the artistic development of Tulum through conscious and sustainable practice. Art With Me has chosen solid waste management as the central environmental topic for its’ first year, due to the threat it has on the Mesoamerican ReefSystem (SAM), the ocean and the local people of Tulum.” This was a great sculpture at Art With Me by Daniel Popper. Installations like this were hidden everywhere in the beach and the jungle. Photo by Peter Ruprecht.
So honored to announce SACRED SHIT, the new short film by me and @machetebangbang, is the May official selection of MOONFAZE FILMS. In the spirit of pure collaboration we created each scene in the moment, pulled by whatever she or I were inspired to express, free from the usual film grind of scheduling and logistics. Thrilled this experiment in art-for-art’s-sake is being recognized by such a prestigious journal. And this week is Beltane, the day to honor life and earth energies, so get thee to www.moonfazefilms.com to watch it and read our feature and check out the amazing things these women are doing.
“SACRED SHIT” is a vulnerable raw look into attachment and the sometimes impossible art of letting go. A portrait of the mind and it’s many manipulations, Sacred Shit is a reminder to look inward and seek light in darkness. To ask ourselves what is it that we actually hold sacred? Celebrating the eternal bond between two women, this film also encapsulates our innate deep need for connection and friendship. Some sacred shit indeed. A must see.” -MOONFAZE FEMINIST FILM JOURNAL