THIS HOLLYWOOD LIFE

Prose vs. Screenwriting; photos with @b4flight

Last night was the final night of my short story writing class. It was through UCLA Extension and thus on the UCLA campus, and all summer I greatly enjoyed traipsing about the brick buildings pretending I was still in college. There were some excellent writers in my class and the instructor Colette Sartor was phenomenal, she gave excellent feedback and is a lit star herself. Writing fiction prose again after the last few years of screenwriting was like taking a long bath after…hmm…shit I need help finishing the analogy. A post about writing and I can’t even write. Irony. An attempt to redeem myself with the first paragraph of a story I wrote for class:

My uncle Jack lived in a tiny stone house in the beach town of Trancoso, Brazil. The house sat between two extra tall palm trees, and on the afternoon the medics delivered me to his house, Jack was waiting outside, leaning against one of the trees, smoking a cigar, shirtless and as broad-shouldered as my father had been. He’d set up a corner of his house for me, with a reclining chair to accommodate my injuries. Jack helped me get comfortable, offered to make me an avocado milkshake then realized he was out of avocadoes, then sat down across from me and blew a few smoke rings into the air as he said: “I’m glad you’re here, Silver. It’s been too quiet since Matilda died. Look at you, Silver, a grown woman. Guess I wasn’t expecting that. She was my bird. Matilda, I mean.” My uncle Jack smiled at me then, tears shining in his honey brown eyes. It was the first time we’d ever met.

In the last week I also did a photo shoot with the radical b4flight in downtown LA. I love downtown. All the street art and little cafes, skid row and cool architecture. I greatly enjoyed traipsing about those brick buildings, pretending I was an urban hustler, or at least a famous Instagram model.

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Really though, prose and screenwriters, help me finish the analogy?

 


I stopped doing the Box videos because they fired me.

Last week, I saw myself on the big screen for the first time. I didn’t realize until it happened that it was a moment I’d been waiting for my whole life. Even more radical was the fact that the screening was at the famous Chinese theater in Hollywood, and the piece I had in the festival was an episode of Girl Behind the Glass, something I’d written and created in addition to being on-camera. A surreal experience to be sure, and one I could get used to.

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Along with this new milestone, the evening also marked the death of the project. Girl Behind the Glass was the series of videos I filmed as a Box Girl at the Standard Hotel, a performance art installation in the hotel lobby featuring a live model in a glass box going about whatever she feels like doing for all the world to see. I had submitted in the webseries category of HollyShorts Film Festival and by the time I was notified of my acceptance, the series had been put on indefinite hold.

In short, because I told the Standard about my lil guerilla series, hoping to collaborate with them, and their response was to fire me.

I’d loved being a part of the guests’ experience at the Standard. I’d inherited the gig from Beth, who was a Box girl for about a year before me. It was the weekly gig that got me out of my writer’s seclusion and into the glamorous buzz of Sunset Blvd. I finally lived the reality of “If only I was trapped in a box I’d get so much writing done.” And I did. I wrote the pilot of Johnny and the Scams in the Box. I also sketched, painted my nails, caught up on emails, pretended I couldn’t see people seeing me, took selfies, and ultimately — started filming myself.

My vision for Girl Behind the Glass was to create a next-era variety show, featuring clips of artists from around the world, musicians, painters, photographers, hosted by a girl in her white undies in a Hollywood glass box. I pushed myself to finish writing, filming and editing within the four hours of my Box shift, making it a practice in trusting my first creative instincts. I experimented with mediums I’d been itching to explore, like spoken word and video art. I was able to incorporate Machete’s desert video Sleepwalking into the episode that screened at Hollyshorts, so her work got the big screen treatment as well.

Finally, to put it plainly, the Box gig made me feel sexy. And interesting. I’d usually take my comp employee meal in the 24-hour Standard diner after my shift, work on whatever I’d been writing in the Box, have Beth meet me for a milkshake (best in LA!), or just observe the other patrons, who didn’t recognize me with clothes on. Look at those who’d been looking at me. A few times I was asked to model for the official photograph of that month’s installation for the Standard website.

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Erin Granat Standard box copy

The only thing we couldn’t do in the Box was sleep, though sometimes I got dangerously close. The biggest risk was being too comfortable, forgetting altogether I was on display. Once I remember spying a hair my razor had missed behind my knee and plucking at it, then realizing this wasn’t an attractive activity for the crowd gathered in the lobby.

For me, being the girl in the Box was the sort of artsy, edgy, sexy cool gig my inner Gardnerville girl had always wanted. Along with signing up at Central Casting and being hit on by a slimy producer, being a Box girl is almost a rite of passage, the “ingenue in LA” thing. The gig was validating, literally “be seen, not heard” which felt good in some twisted, objectified way on my nerdy, over-thinking writer’s brain. I did things I never do, like wear black thigh-highs with a bowler hat and shop at American Apparel (for my white undie “uniform”). I also thought the concept was really cool. So simple, just a girl sitting there, but so riveting. Watching a human be a human. Tilda Swinton started sitting in a box at the MOMA the same week I started at the Standard.

You get the picture that I loved the job. So you understand my disappointment when I shared my guerilla webseries with the hotel and they not only didn’t want to collaborate with me, they fired me. At first they said the videos were cute, they just had to make sure I could be filming. They’d “get right back to me.” They never did. Then they took me off the schedule. No explanation, just a stone wall. I was seriously bummed out.

My hunch is it was a legal thing, but I’ll never know. The gig couldn’t have lasted forever, I’ve climbed new rungs of the Hollywood ladder and it’s better to say I was a Box Girl than I still am. At least I went out pitching an idea I believed in. And I certainly had fun. Coming up with the title of the series was hilarious (Hot Box? Fox in a Box?), and once I ran into Josh Hartnett and friend in the lobby and had pizza and beer with them. The show has a life on YouTube, and I’m glad my first big screen moment came out of it. By the way, HollyShorts absolutely rocks, those guys are doing more for emerging filmmakers than anyone out there. The night of my screening I also loved the film Join Us, by writer/actor Brooze Lenzi. It’s about cults, in a way you’ve never seen. Check it out, stat.

I’ll always have those moments when I first hopped into the Box for the night. My shift was 8pm – midnight, and a DJ played in the lobby starting at 9pm. But the first hour was quiet, Zen-like. It was like being hermetically sealed in a fish bowl, or a diorama at a museum. “Observe the 21st century twentysomething female!” And I reflected on my life as such. What was I creating right then? Who was I loving? For much of that year, my life was a series of boxes — the Standard box, hundreds of boxes of books for my non-profit job, the mysterious box that kept popping up in a script I was writing. It’s now tempting to write a wordplay on living “outside the box.” But I won’t, because you get the idea. I do miss being a part of the art, and the vanity validation of it all. But it’s good that I’m out of the box. It’s easier to breathe out here.

 


The small moments that make a life.

Lately I’ve been listening to Chet Faker, reading about detachment, and trying to buy a car. Five months in Los Angeles sans vehicle has been 90% bliss (no parking tickets! snoozing on the bus/train/Uber/Lyft!) but it’s getting impractical. My heart wants an ’84 Wagoneer or ’78 Mercedes but living in Koreatown has seeped into my blood so I’ll probably get a Hyundai.

Tuesday I had a very good call with the studio that’s developing one of my projects (more on that soon) so I celebrated by doing my laundry then smoking some Maui Kush then journeying to the Last Bookstore in downtown for an impromptu photo shoot with a muse in the labyrinth of books upstairs (literally a labyrinth/maze of books…go there). Then I ate steak.

Yesterday I took myself on a writing date in Los Feliz. I worked on the rewrite of Johnny and the Scams and sent producer-y emails about the new pilot I co-wrote with the director Kris Krainock, called Fantasy Inn. It’s a creepy role for me and will probably freak you out. I ate an ahi tuna wrap at Fred 66 and then an entire plate of sweet potato fries. I sat in the same booth as the first time I went there, for my first meeting with my first literary manager when I first got to LA. I remember I wore a black blazer from Ross and pointy red shoes.

I went to Skylight Books next and became instantly devastated at all I haven’t  written and all I haven’t read. I purchased Tom Robbins’ new memoir Tibetan Peach Pie then dreamed about writing a blog post about purchasing it, which you’re reading now. A quick look-a-roo in a vintage store uncovered a reversible sheepskin vest/purple jacket thing for $34 that’s so radical I just broke my oath to never blog about clothes.

As I took a Lyft over to Machete’s I thought about Paije’s dearly departed cat Zaazu, wondered if my grandma made it back to the gym this week, and fought an urge to travel somewhere internationally. Just clean your room, Erin. Then you won’t feel so restless. I got to Machete’s and hugged her for the first time since Lightning in a Bottle, which was an otherworldly swirl in the electro-hippie lake bed dreamland that crushed so hard it deserves it’s own post (my favorite sets were GoldRush, Pumpkin, Little Dragon, Quest Crew, Tokimonsta, Gaslamp Killer, sunrise Random Rab and our camp Bok Choy which for those lovely LIB nights was the most fun party on the planet). I’ll try to write that post. Yet I find, as always, trying to write about a festival experience is like (you know I want to say “catching lightning in a bottle”)…really hard.

Machete saw the vintage-purple-vest-jacket-thing and freaked because she’d almost got it herself for LIB! Now we can share it. We watched the rough cut of a short film she directed, then took her dogs on a walk. As Dexter (the puggle) did his bizness and Ninja (the min-pin) sniffed a flower, Machete commented that recently she’d stopped rushing around so much, and found she felt much more at peace. In my head I sang the lyric from the 2003 Nelly song “Pimp Juice” You ain’t from Russia, so bitch why you rushin’. But I didn’t say sing it out loud because it’s kinda weird I remember it. Instead I breathed the warm, perfectly breezy night air of Los Angeles in June, and said “You and me, we’re going places.”


Beyonce is my friend…and other things on my mind.

Last night I was up til 5am on a spiritual journey, the details of which I cannot reveal. The lessons were large, the wisdom at times overwhelming. So to take a breath I’d like to share a few small things that have been on my mind:

  • I recently did an apartment redesign and put oil lamp sconces up on my living room to create a wall of light. I was imagining how cool and dramatic this would look, but now that they’re up, the shadows from the scones are the most interesting part about the design, dancing along the walls like dark birds…because sometimes in life the shadows are as beautiful as the light, ya dig?
  • I feel like if I met her, Beyonce would be my friend.
  • Last week I paid WordPress $3o for the No Ad Upgrade, so there won’t be advertisements on my blog. This is my forum for expression, and I’m not going to commodify it so someone else can make a few bucks.
  • Lately I’ve been putting into action several self-improvement desires I had at the new year. All’s going well, except I wonder what I will face when all my excuses are removed?
  • From one of my favorite books, A Survival Guide for Landlocked Mermaids: “Duality dwells at the heart of all truth, so dance with your inner paradox” … “Yearnings are the navigated states of the visionary and precede the sojourn to fulfillment” … “An open heart is seldom lonely”
  • This is my living room redesign, and the red heart hug pillow I got at IKEA. I like that the friendly squishy hug is the first thing I see when I come home. A few times when I’m lonely I’ve put the pillow arms around me and it was just as good as a human hug.

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Happy birthday, mom. I miss you.

Today would’ve been my mom’s birthday. She loved the Beatles, making Christmas really special, and the color red. Happy birthday, mom.


ARTGASMS: A mysterious party & James Blake

Happy Monday, star seeds.

I had an inspiring weekend…spent Friday night watching an artist I admire paint a massive mural on a wall. We hung out til 3am in an empty parking light under a street light, goofing around, doing improv spoken word and trading ideas. You could hear the bass and trap from a busy stretch of bars just a few blocks away. I felt happy that I’ve finally figured out I’m more content being weird with the artists than I am getting drunk with the masses. Maturity: 1 point. Here are some Artgasms, to get your week started right.

The beginning of a short story I’m writing:

We held the event on Wednesdays. The day started around 2pm, when we’d wake up and not get out of bed. I’d reach for my velvet money clip into which was pinched three hand-rolled cigarettes. I’d look at Jett and say “The sun is up, buttercup.” We’d smoke and share a watermelon juice, then fuck til 4pm.

I’d get up and sweep our apartment, while Jett stayed in bed. He’d begin choosing who got the invite based on a system of social credit only he understood, then he started making calls. In between calls I could hear him scribbling in a notebook, and I knew he was revising the rules. 

I loved listening to Jett, the way he spoke, tough-guy twang coated with a cadence all his own. I didn’t always agree with the rules. I thought guests should be allowed to just observe the first time, but Jett was adamant everyone partake. “Go deep or go home,” he liked to say. I think that rule prevented some worthy people from getting involved. But I didn’t have much time to think about it. Our wait-list was already four weeks long, full of philosophers and candy kids, scientists and celebrities. Psychedelic warriors all of them, brave in their quest to lift the veil.

A music video I love … “Retrograde” by James Blake … the video is eerie and abstract, song is insanely beautiful:

 

Hope you have a good week, everyone! What’s inspiring you these days?


Sometimes I like having my picture taken.

This was one of those times.

A few weeks ago, Red Rock Canyon, with the delectable photographer Aaron Glassman.

I look very 90s, because Liv Tyler inspired my wardrobe, and I’m not smiling in any of the photos.

It was a pleasant way to spend a Sunday.

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