Prose vs. Screenwriting; photos with @b4flight

Last night was the final night of my short story writing class. It was through UCLA Extension and thus on the UCLA campus, and all summer I greatly enjoyed traipsing about the brick buildings pretending I was still in college. There were some excellent writers in my class and the instructor Colette Sartor was phenomenal, she gave excellent feedback and is a lit star herself. Writing fiction prose again after the last few years of screenwriting was like taking a long bath after…hmm…shit I need help finishing the analogy. A post about writing and I can’t even write. Irony. An attempt to redeem myself with the first paragraph of a story I wrote for class:

My uncle Jack lived in a tiny stone house in the beach town of Trancoso, Brazil. The house sat between two extra tall palm trees, and on the afternoon the medics delivered me to his house, Jack was waiting outside, leaning against one of the trees, smoking a cigar, shirtless and as broad-shouldered as my father had been. He’d set up a corner of his house for me, with a reclining chair to accommodate my injuries. Jack helped me get comfortable, offered to make me an avocado milkshake then realized he was out of avocadoes, then sat down across from me and blew a few smoke rings into the air as he said: “I’m glad you’re here, Silver. It’s been too quiet since Matilda died. Look at you, Silver, a grown woman. Guess I wasn’t expecting that. She was my bird. Matilda, I mean.” My uncle Jack smiled at me then, tears shining in his honey brown eyes. It was the first time we’d ever met.

In the last week I also did a photo shoot with the radical b4flight in downtown LA. I love downtown. All the street art and little cafes, skid row and cool architecture. I greatly enjoyed traipsing about those brick buildings, pretending I was an urban hustler, or at least a famous Instagram model.

This slideshow requires JavaScript.

Really though, prose and screenwriters, help me finish the analogy?

 

The small moments that make a life.

Lately I’ve been listening to Chet Faker, reading about detachment, and trying to buy a car. Five months in Los Angeles sans vehicle has been 90% bliss (no parking tickets! snoozing on the bus/train/Uber/Lyft!) but it’s getting impractical. My heart wants an ’84 Wagoneer or ’78 Mercedes but living in Koreatown has seeped into my blood so I’ll probably get a Hyundai.

Tuesday I had a very good call with the studio that’s developing one of my projects (more on that soon) so I celebrated by doing my laundry then smoking some Maui Kush then journeying to the Last Bookstore in downtown for an impromptu photo shoot with a muse in the labyrinth of books upstairs (literally a labyrinth/maze of books…go there). Then I ate steak.

Yesterday I took myself on a writing date in Los Feliz. I worked on the rewrite of Johnny and the Scams and sent producer-y emails about the new pilot I co-wrote with the director Kris Krainock, called Fantasy Inn. It’s a creepy role for me and will probably freak you out. I ate an ahi tuna wrap at Fred 66 and then an entire plate of sweet potato fries. I sat in the same booth as the first time I went there, for my first meeting with my first literary manager when I first got to LA. I remember I wore a black blazer from Ross and pointy red shoes.

I went to Skylight Books next and became instantly devastated at all I haven’t  written and all I haven’t read. I purchased Tom Robbins’ new memoir Tibetan Peach Pie then dreamed about writing a blog post about purchasing it, which you’re reading now. A quick look-a-roo in a vintage store uncovered a reversible sheepskin vest/purple jacket thing for $34 that’s so radical I just broke my oath to never blog about clothes.

As I took a Lyft over to Machete’s I thought about Paije’s dearly departed cat Zaazu, wondered if my grandma made it back to the gym this week, and fought an urge to travel somewhere internationally. Just clean your room, Erin. Then you won’t feel so restless. I got to Machete’s and hugged her for the first time since Lightning in a Bottle, which was an otherworldly swirl in the electro-hippie lake bed dreamland that crushed so hard it deserves it’s own post (my favorite sets were GoldRush, Pumpkin, Little Dragon, Quest Crew, Tokimonsta, Gaslamp Killer, sunrise Random Rab and our camp Bok Choy which for those lovely LIB nights was the most fun party on the planet). I’ll try to write that post. Yet I find, as always, trying to write about a festival experience is like (you know I want to say “catching lightning in a bottle”)…really hard.

Machete saw the vintage-purple-vest-jacket-thing and freaked because she’d almost got it herself for LIB! Now we can share it. We watched the rough cut of a short film she directed, then took her dogs on a walk. As Dexter (the puggle) did his bizness and Ninja (the min-pin) sniffed a flower, Machete commented that recently she’d stopped rushing around so much, and found she felt much more at peace. In my head I sang the lyric from the 2003 Nelly song “Pimp Juice” You ain’t from Russia, so bitch why you rushin’. But I didn’t say sing it out loud because it’s kinda weird I remember it. Instead I breathed the warm, perfectly breezy night air of Los Angeles in June, and said “You and me, we’re going places.”

VIDEO: 2 girls + Viking Costumes = The first short film we ever made!

When I’m feeling down that my career (as a writer/actor/filmmaker) isn’t “there” yet, Beth (my bff and partner in all crimes) tells me that we’re still putting in our 10,000 hours. As a reminder of how far we’ve come, we recently watched the first short film/video thing we ever made: us impersonating vikings for a contest to win $1,000 and a week stay at a Nordic resort back home in Tahoe.

This was in 2009, when I still lived in a brick apartment in Reno and was a bartender and Beth lived in her parent’s guest cottage and was a go-go dancer. We were staying at Sorensen’s, Beth’s family’s magical resort in the mountains, we were tipsy, and we decided to film an entry. Our imaginations went wild with everything we could do with $1,000, and Granlibakken sounded exotic and mystical, even though it was only a half hour from home.

We wrote our video in 20 minutes and filmed it in 30. Halfway through, the camera died and we filmed the rest on a phone. Our “swords” were made of tin foil, our mustaches were made of paper and taped to our faces. I had been taking guitar lessons for three weeks so there’s a musical interlude. We don’t know our lines, we’re wearing the pajamas we woke up in, and I look like Willie Nelson. But it’s my favorite thing we’ve ever filmed, and perhaps the funniest. Our first venture as Just B.E. Productions (Just Beth and Erin), early starts, earnest hearts, I present, The Hodge Podge Vikings!

This post would not be complete without mentioning Mike Geraghty, who also entered the Granlibakken contest. Mike is a Reno friend and one of the funniest human beings alive, and the reason I didn’t post his video, Lognard of the Lake, first is because his is so fucking funny you’ll die before you can watch Hodge Podge. It should be mentioned he was actually a finalist in the contest (and is currently killing it in the Chicago comedy scene):

I think the fun we had making these videos is evident. We did it because we wanted to make people smile, and we wanted to perform, and in the end it only takes a camera and a little time. Which is the spirit in which all art should be made–straight from the heart in an inspired moment. May all our projects be Hodge Podge!

VIDEO: Desert + Canon 5D + Five Friends = “Sleepwalking”

Happy Saturday! I’m super honored that the visionary director Machete Bang Bang is letting me world premiere her latest art video on my blog!

We filmed this in 2012, the day after I came home from Bali. Looking back, it was sorta my coming out as a performer. I felt self-assured and sexy after all that time in the jungle. Machete says I left for Bali as Kelly Clarkson (edgy but still family friendly), and came back Beyonce. After six weeks of spiritual awakening, I also just wanted to play in the dirt with my friends.  🙂

Says Machete:

A year and a half ago, my friends and I went to the desert to capture our version of art. Unfortunately, most of the footage was lost, but regardless, I wanted to make something out of what was salvaged. Almost every filmmaker in L.A. goes to the desert to makes an artsy fartsy video. This is ours. Weirdo Camp presents: “Sleep Walking.”

Starring: Randall Yarbrough, Erin Granat, Ben Caro, Sarah Sandin, Machete Bang Bang

Cinematography by John Weselcouch
Directed and edited by Machete Bang Bang
Original music by Modest Mouse