On June 8th, 2018 my dear grandmother “Ruby Love” departed this world for the next. She was 102.
For years I took her dinner every Sunday and painted her nails. Being closer to her was one of the best things about moving to LA. We would discuss what she was reading on her Kindle (she thought 50 Shades of Grey was “mildly entertaining”). She wore shirts that said “Seen it all, done it all, just don’t remember it all.” She loved the Lakers and Johnny Depp. Most of these photos were taken when she was 98, 99, and 100. Dear lord – I hope I have her genes. She was born before women could even vote, and yet she was my biggest teacher of tolerance – people of all faiths, colors and orientations were welcome at her table. I’m trying to not focus on the last 2 years she spent in a home, Alzheimer’s obscuring her personality, although this was also part of her journey and doesn’t need to be banished from her story. Ruby Love was a grand dame, and a muse. Uncle Jimmy and Uncle Ricky wrote a song about her, the first screenplay I ever had optioned was about her. Muse-ship doesn’t end just because a body has finished hanging out on Earth. I’d like to think it’s just the beginning.
The essence of my grandmother is best told in the small details. For years, her exercise was walking inside the perimeter of her apartment, the route so well-worn it was a dark track in the carpet. She liked her nails painted beige or silver, never pink. She wore chic pantsuits and was a champion bowler. She loved Gatorade. My sister Jessica remembers how grandma raised a family and made her extended family important, each and every year, that she loved going to lunch, and shopping at the 99 cent Store.
My grandmother was unsentimental, blunt and sassy. She was not cookies and doilies, she was low-fat and LeSportSac bags. But in our every Sunday routine, the night would inevitably end with me putting my head in her lap so she could rake her long nails across my hair, not unlike how you’d pet a cat. Once we fell into the ritual we’d both go quiet, silently enjoying each other’s company.
I really only knew my grandmother as a single woman living on her own, since my grandfather passed when I was little. She was living proof that a woman cannot only be happy living on her own, she can thrive.
It was only in her late 90s that she started to slow down, and that was only after she fell off a treadmill at the gym. Being on the treadmill at that age is incredible in and of itself! Assistance came in the form of Uncle Jimmy, who heroically put up with her passenger-seat driving on their errands around town.
And I want you to know something about the documentary on grandma I’ve been low-key filming for years – she was directing the footage with me. She came alive when I got out the camera. We had an agreement that I would film everything, not just the happy funny moments, but her whole process into the end of her life. She was always ahead of her time.
Last month was my birthday so I ran away to Tulum for a few days. To me, this picture is México. Rather than the beach and margaritas and all that, it’s the dusty roads, the bark of raggedy dogs, the delightful, too sweet taste of Mexican Coke.
Remembering my first visits to México as a tween, giddy to buy cheap beer without an ID, the rough streets of those early days of Sayulita where Beth’s family had a house and we had a whole other life we’d bi-annually dip into and be “G.I.T.s” … Gypsies In Training. I decided last minute to come on this trip, so maybe I became a gypsy after all? But that’s a cultural appropriation – gypsies are a people who’ve been persecuted terribly over the centuries, the Coachella-fication of their aesthetic on par with Tulum’s tourists who know nothing about the tension simmering under the sunburned streets. But let me not travel down that path. This is a “HBD to me” post after all. Age just has a way of ripping off the blinders.
Back to waxing poetic about the intoxicating magic of México. And thanking @our_habitas and @uproxxtravel for giving me wings to explore @artwithmetulum. A new year for new opportunities. Shameless hotel balcony selfies shall endure, however.
I hope more festivals will take a cue from @artwithmetulum and #partyforapurpose. Four days of art, music and food centered around talks on sustainability and social change. I did a story over at @uproxxtravel if you wanna go seeeee. “The mission of Art With Me *GNP is to enrich the local community, preserve the natural environment and strengthen the artistic development of Tulum through conscious and sustainable practice. Art With Me has chosen solid waste management as the central environmental topic for its’ first year, due to the threat it has on the Mesoamerican ReefSystem (SAM), the ocean and the local people of Tulum.” This was a great sculpture at Art With Me by Daniel Popper. Installations like this were hidden everywhere in the beach and the jungle. Photo by Peter Ruprecht.
I had my first experience with religious zealots! This was originally going to be a post celebrating that CONFETTI, the wonderful weird short film by @machetebangbang that I acted in and 1st AD’ed won the Vanguard Award for Best Experimental Short at the Lindsey Film Festival (hooray!), BUT THEN, friends who have since become very … passionate … about their religious beliefs started commenting on my Facebook that I clearly worship Lucifer and “serve evil at its core.” I appreciate social media being a platform for discussion, so I’m leaving the comments up. But spreading negativity and judgement does not interest me. You’ve been blocked.
On a lighter note, this is one of my favorite films I’ve ever been involved with. The irony is, it’s quite literally about spreading the light. WATCH it here. Congrats, team. This was one for the ages.
In totally unrelated news …
Uproxx Travel sent me to Sun Valley, Idaho last week to attend the Sun Valley Film Festival and to experience experiences, and it was my first time back on skis in 7 years and it didn’t suck. I told myself I quit skiing because it was too expensive, too repetitive, too obnoxious (rich white people sport). Growing up in the Tahoe area with ski bums as parents, I was skiing before I could walk. It’s the one athletic thing I’m pretty good at, and the one thing that was easy to quit when I wanted to move to Spain and needed spending money, so I sold all my gear. Getting back on the mountain last week was surprisingly emotional, and now I know the truth.
I quit skiing because it was too painful a reminder of my family being happy and together, before my mom got sick. She was an excellent skier, the best in our family, and skiing without her felt pointless and so, so cold.
But as I sat on the chairlift in Sun Valley, I remembered to remember the happy memories and not dwell on the sad stuff. And for a moment I was a kid again, my sister and I snuggled between my parents on the lift, life extending only so far as the next hot cocoa we’d get in the lodge, my mom glamorous in her ski onesie, all of us smelling like sunscreen, my dad rubbing my hands to keep them warm.
Another reason I quit is because when I was 7 years old I fell 80 feet off a chairlift (or was it 70 feet when I was 8? I have to check the newspaper article about it), and I’ve been plagued with extreme fear of heights ever since. But that’s a story for the article.
I just re-wrote the “About” section of this website, and it was the trickiest damn thing to do. I procrastinated doing it for so long, because what am I “about?” I’m constantly asking that very question, and it’s only very recently (like this year) that I finally feel like I have a point of view.
The personal bio section of everything I’ve ever applied for has always stumped me. You’re supposed to list your achievements in this part, right? But is that a real reflection of what you’re about, what keeps you up at night, what keeps you going? In part, yes. Our achievements are a reflection of our life priorities. But if I really want to share what I’m “about,” it’s human connection, finding comedy in the darkness, Nature, being self-expressed, taming the voice in my head, experiencing new cultures, challenges, kisses, and cats. Not the jobs I’ve had or the awards I’ve won.
So rather than a typical bio, I interviewed myself instead. This seemed like an authentic way to lightly brag about my accomplishments, plus it’s so dumb when people write in the third person in a bio.
Me: You’re from Reno? That’s weird.
Erin: I grew up in a town called Gardnerville nearby Tahoe, and went to college in Reno. I fucking love Reno so don’t say anything about it.
Me: What’s LA been like for you?
Erin: Wonderful and terrible. For a while I had that job where I sat in a glass box in white underwear at the Standard Hotel. It’s like an LA rite of passage. I made my first vlog while I was in the box. Which got me fired, but they didn’t make me take down the episodes.
Me: You just sat there? Sounds like a scam.
Erin: I think it was “art.” The observer being the observed.
Me: Sounds deep.
Erin: I’m trying to frame it that way.
Read the whole interview over in the “About” section. Obviously. And I’m curious your thoughts on this subject. How do you write your own bio? What are you “about?”
Still from “Omen 31” by The Loves
Who knew getting hated on could be so rewarding? To date, the essay I wrote about my Burning Man experience (see above) has been read 50,000 + times. This might be normal for other writers, but since I’m usually locked away in a long form narrative, this shit never happens to me.
I’ve felt elated, proud, shocked, seen, and – hurt. Because there’s also been a lot of backlash. By readers who hate Burning Man in general and thus hate the article (which is such a curiosity, to take the time to read AND comment on an event you’ve never attended but loathe intensely … Burning Man is so charged like that). And by Burners themselves who hate – well, me. Or at least what I wrote, what I represent, “everything that’s going downhill about Burning Man.” To get backlash from the community stings a little. Okay, a lot. I got called a Sparklepony. In Burn culture, this is very, very unflattering.
When I look back at what I wrote, in the midst of unpacking the rental van, hair ratted, bike chafed, picking playa dust out of my eyelashes, mourning the loss of my sleep schedule, hoping we wouldn’t get charged a cleaning fee on the van, getting charged anyway, catching up on bills and checking in with family, yeah I cringe at how obnoxious the article is at times. But in that haze of post peak experience deadline drama, I had no time to self-censor, no time to organize my thoughts beyond a brain dump of what the experience was like inside my neurotic, self-judgmental mind.
I agree with some of the detractors. I wasn’t there for my camp as much as I could’ve been, admitting lugging grey water in apocalyptic heat was the hardest physical labor I’ve ever done was a pretty embarrassing window into my privileged existence. But the comments that piss me off are the ones that refer to me as “just another pretty white girl.” This means my experience isn’t valid? This means I can’t have a point of view?
Would it have made a difference if I’d divulged that I’ve spent the last year as caretaker to my very ill father? That getting to spend a week feeling alive in the desert was the antidote to our endless ER visits. And that before that I was holding space for my boyfriend when he got run over by an SUV, breaking both legs and spending months in a wheelchair. And that he and I got our Burning Man tickets as the goal on the horizon when he would walk again. And that even though we’re not together anymore, my ultimate Burn highlight was when we found each other on the playa under the moon, marveling that he could not only walk but dance and ride a bike, and we held the solar shower for each other as we took little bird baths and discussed our favorite art installations.
If I’d shared all that, would it have made a difference?
Or is that just something a pretty white girl would say?
With that said, now I’ll do the only thing you really can do in life: focus on the light.
In this case: the positive feedback the article has generated. Readers who’ve shared El Guaco-esque experiences of their own, and the owner of El Guaco himself, who found me on Facebook to say El Guaco is his playa contribution because he’s an introvert and this is how he feels comfortable interacting with people.
Some other things I need to say:
–My heart is heavy for the man who ran into the fire, for his family, for those who witnessed it. I didn’t address this in the article because I wanted to gently shine a light on all the other aspects of the experience. I don’t have anything poetic to say about it, just had to acknowledge it.
–I love bike culture at Burning Man. It’s such a return to childhood, riding around with your friends, your bike posse. It’s the perfect example of the duality out there, hedonistic activities happening simultaneously as you get in touch with your inner child.
–Something needs to be said about baby wipes at Burning Man. They are a gift from heaven. That’s all.
–To save face, I know I should write more about my previous Burns, in response to the commenters who wrote that it’s sad I’d been 4 times and was still such a “spectator.” But that’s another article for another time. And I’m pretty ready to be done with Burning Man for the year.
The last thing I want to say is I’ve had haters before. I wrote a sex column for a semester in college that was so divisive I got both applauded by my First Amendment and Society professor, and nearly kicked out of school. Being the center of such turmoil was thrilling, and embarrassing. It was right after my mom’s death and I was in a very “fuck it” place in my life. I’d be lying if I said the backlash didn’t affect me deeply. I wanted to hide for the entire year following. What’s changed in ten years? Then I was writing for shock affect, this time I was authentically expressing myself and my experience. I think I just have a somewhat salacious way of moving through life. I’ve also had ten years of rejection and disappointment to get me primed.
Okay, controversy. Okay, Burning Man. I’ve said all I can say. I’m done. For the year. Or longer. Or not.
Want to bottle it/want to burn it/want to love it but haven’t earned it.
I wrote that phrase a year ago to describe the feeling of my different creative ideas noodling through my brain, clamoring to be expressed. I keep returning to the phrase, because although I’ve gotten better at channelling my ideas into projects, they still threaten to consume me.
A big problem is that I’m equally passionate about writing, filmmaking, and being on-camera. Breaking it down even further, I love the depth and freedom of prose, but have the most fun screenwriting. I love producing, really pulling a project together, but know ultimately I’ll want to direct for full creative cohesion. I still want to be the heroine/ingenue on-screen, but know I’m more of a comedic character actor.
It’s a good problem to have, being lit up by multiple mediums. But I’m dividing my creative energies, and to get anywhere I need to laser focus. But there are lots of successful “slashies” these days, Lena Dunham, Joseph Gordon-Levitt, George Clooney, Mark Wahlberg, David Lynch, Sam Shepard. So do I really need to pick just one?
I’m also just back from a camping and music adventure, been sleeping under the stars with the electro hippies. I’m always grumpy when I have to return to the grid. Always questioning my life and the choices I make.
The adventure was called Symbiosis, and many magical events transpired. I witnessed the first ever iamamiwhoami performance in America, she’s a Swedish multimedia artist and absolute inspiration. Saw my first Butoh dance performance, it was bizarre, chilling, terrifying, mesmerizing. I got a massage for my danced-out muscles, at the end I opened my eyes and realized I’d met the bodyworker a year ago in Bali. Leaving the fest, I picked up four hitchhikers, the kind of professional travelers who move through the world without money or a plan. An hour down the road I got tired and we all took a nap in the grass in front of a church. Two kittens appeared, my spirit animals. Cats always appear to keep me company.
Out at the fest it doesn’t matter what medium I’m pursuing. No one’s pursuing anything other than that night’s good time. Good friends, good music, a good buzz, a good life. All that matters is sharing a flashlight with my neighbor a few tents over, if the line for breakfast burritos is too long, that we’ll meet stage left if we get separated.
I stayed in this past weekend, since getting home. Working on these different mediums, listening to James Blake, letting his creative output dance with mine, reading through old notebooks, because reading old stuff is important, it’s staying in the swirl, the place where ideas are born. Muse/use absorb/be born. Writing at night is my truth. I like to take breaks and go outside, observe the electric streetlight competing with the moon.
I’ve been thinking about this blog, that I don’t want it to be generic, bland, or afraid to offend. It grinds my gears to reread something and find my writing is general. I do this when I’m suffering from I-want-everyone-to-like-me-itis. I don’t dig deep, I go for the easy out. Oh shit. Blogging is a whole other medium, ain’t it? And so I return to my original question, because sometimes this blog is a forum to set forth ideas, and sometimes it’s a place to receive answers. What do you think? Should an artist pick one creative medium?