My official Moon Manor writer/director portrait taken on set December 2018 by @thisheartofstone. Looks like a back-to-school picture, and that’s how it felt too. Excitement, exhaustion, glee. We’re deep in post production. Magick is brewing. http://www.moonmanormovie.com
New PRINT story!! There’s nothing quite like holding your words in physical form, especially when that form is pretty as @flauntmagazine. Other than #rossbutler being such a nice dude, the highlight here was getting a teensy bit of redemption for the car accident I got into driving to the interview. Full story on newsstands and online: http://www.flaunt.com/content/ross-butler.
Gig of a lifetime!!!! Thrilled and honored and stoked to say I’ll be joining the @sol.selectas journey to Morocco as the caravan storyteller!!! All those years writing about my travels on this blog are paying off, no one was reading it (except my sister, love you sister) but I was finding my voice and now that translates to work and pinch me how is this real life?!! There are a few tickets left if you want to comeeeeeee. 🐫 http://www.solsahara.com
Everything on the train is grubby, and it’s more expensive than a flight. But something happens to the mind when on the train. The tethers are loosened. You enter a meditative state. The most fruitful writing and reading time. Nature drifts by outside and you have the best seat in the house. You pass rivers and mountains not even cars can access. It’s the best of all worlds, I’m in a comfortable seat watching the world like a movie screen. Neighborhoods with neighborhood things—kids jumping on trampolines, clothes drying on the line, rusted cars and stray dogs. This trip was 36 hours, my longest yet. The Coast Starlight through the forest and the agricultural fields and the ocean. America’s great West Coast journeying Seattle > LA.
Last month was my birthday so I ran away to Tulum for a few days. To me, this picture is México. Rather than the beach and margaritas and all that, it’s the dusty roads, the bark of raggedy dogs, the delightful, too sweet taste of Mexican Coke.
Remembering my first visits to México as a tween, giddy to buy cheap beer without an ID, the rough streets of those early days of Sayulita where Beth’s family had a house and we had a whole other life we’d bi-annually dip into and be “G.I.T.s” … Gypsies In Training. I decided last minute to come on this trip, so maybe I became a gypsy after all? But that’s a cultural appropriation – gypsies are a people who’ve been persecuted terribly over the centuries, the Coachella-fication of their aesthetic on par with Tulum’s tourists who know nothing about the tension simmering under the sunburned streets. But let me not travel down that path. This is a “HBD to me” post after all. Age just has a way of ripping off the blinders.
Back to waxing poetic about the intoxicating magic of México. And thanking @our_habitas and @uproxxtravel for giving me wings to explore @artwithmetulum. A new year for new opportunities. Shameless hotel balcony selfies shall endure, however.
I hope more festivals will take a cue from @artwithmetulum and #partyforapurpose. Four days of art, music and food centered around talks on sustainability and social change. I did a story over at @uproxxtravel if you wanna go seeeee. “The mission of Art With Me *GNP is to enrich the local community, preserve the natural environment and strengthen the artistic development of Tulum through conscious and sustainable practice. Art With Me has chosen solid waste management as the central environmental topic for its’ first year, due to the threat it has on the Mesoamerican ReefSystem (SAM), the ocean and the local people of Tulum.” This was a great sculpture at Art With Me by Daniel Popper. Installations like this were hidden everywhere in the beach and the jungle. Photo by Peter Ruprecht.
Hotel rooms strike me as the loveliest and loneliest places on earth
Everything is fresh, the illusion of perfect
A temporary home in a tower of travelers
When you don’t have to worry about clean towels or making the bed
The mind can dive into more existential pursuits
The square of toilet paper origami
The smart appeal of bleach
A room service pre-order form, so you can eat bacon and eggs two minutes upon waking
52 channels to flip through, the only place left to watch basic cable and feel like a kid again
But after a few days, your clean paradise becomes a prison
And it’s depressing to be in a room masquerading as your own but it belonged to the guy before you and the family after you and really it belongs to the maid
And the plastic key is so plastic
And they politely request in an aggressive way
That you check out by 11am
Where once the bland painting on the wall was blessedly free of personal attachment, it’s now offensive in its non offensive-ness,
And maybe you peek behind it and see a doodle left by a past resident
And you’re disgruntled you didn’t think to do something edgy like that
The bad coffee in its single serving pouch makes you mad because you’re a single serving person in a single serving room in this single serving life
And so you go home, where the to-do list lives, and boxes that need sorting left over from when you moved in, and the oven needs fixing
But it’s perfect in its imperfection because it sounds like ice cream trucks and lawn mowers outside because it’s a neighborhood
And it’s a home
And it’s yours
Unpacking The Lies You Tell Yourself At Burning Man
Who knew getting hated on could be so rewarding? To date, the essay I wrote about my Burning Man experience (see above) has been read 50,000 + times. This might be normal for other writers, but since I’m usually locked away in a long form narrative, this shit never happens to me.
I’ve felt elated, proud, shocked, seen, and – hurt. Because there’s also been a lot of backlash. By readers who hate Burning Man in general and thus hate the article (which is such a curiosity, to take the time to read AND comment on an event you’ve never attended but loathe intensely … Burning Man is so charged like that). And by Burners themselves who hate – well, me. Or at least what I wrote, what I represent, “everything that’s going downhill about Burning Man.” To get backlash from the community stings a little. Okay, a lot. I got called a Sparklepony. In Burn culture, this is very, very unflattering.
When I look back at what I wrote, in the midst of unpacking the rental van, hair ratted, bike chafed, picking playa dust out of my eyelashes, mourning the loss of my sleep schedule, hoping we wouldn’t get charged a cleaning fee on the van, getting charged anyway, catching up on bills and checking in with family, yeah I cringe at how obnoxious the article is at times. But in that haze of post peak experience deadline drama, I had no time to self-censor, no time to organize my thoughts beyond a brain dump of what the experience was like inside my neurotic, self-judgmental mind.
I agree with some of the detractors. I wasn’t there for my camp as much as I could’ve been, admitting lugging grey water in apocalyptic heat was the hardest physical labor I’ve ever done was a pretty embarrassing window into my privileged existence. But the comments that piss me off are the ones that refer to me as “just another pretty white girl.” This means my experience isn’t valid? This means I can’t have a point of view?
Would it have made a difference if I’d divulged that I’ve spent the last year as caretaker to my very ill father? That getting to spend a week feeling alive in the desert was the antidote to our endless ER visits. And that before that I was holding space for my boyfriend when he got run over by an SUV, breaking both legs and spending months in a wheelchair. And that he and I got our Burning Man tickets as the goal on the horizon when he would walk again. And that even though we’re not together anymore, my ultimate Burn highlight was when we found each other on the playa under the moon, marveling that he could not only walk but dance and ride a bike, and we held the solar shower for each other as we took little bird baths and discussed our favorite art installations.
If I’d shared all that, would it have made a difference?
Or is that just something a pretty white girl would say?
With that said, now I’ll do the only thing you really can do in life: focus on the light.
In this case: the positive feedback the article has generated. Readers who’ve shared El Guaco-esque experiences of their own, and the owner of El Guaco himself, who found me on Facebook to say El Guaco is his playa contribution because he’s an introvert and this is how he feels comfortable interacting with people.
Some other things I need to say:
–My heart is heavy for the man who ran into the fire, for his family, for those who witnessed it. I didn’t address this in the article because I wanted to gently shine a light on all the other aspects of the experience. I don’t have anything poetic to say about it, just had to acknowledge it.
–I love bike culture at Burning Man. It’s such a return to childhood, riding around with your friends, your bike posse. It’s the perfect example of the duality out there, hedonistic activities happening simultaneously as you get in touch with your inner child.
–Something needs to be said about baby wipes at Burning Man. They are a gift from heaven. That’s all.
–To save face, I know I should write more about my previous Burns, in response to the commenters who wrote that it’s sad I’d been 4 times and was still such a “spectator.” But that’s another article for another time. And I’m pretty ready to be done with Burning Man for the year.
The last thing I want to say is I’ve had haters before. I wrote a sex column for a semester in college that was so divisive I got both applauded by my First Amendment and Society professor, and nearly kicked out of school. Being the center of such turmoil was thrilling, and embarrassing. It was right after my mom’s death and I was in a very “fuck it” place in my life. I’d be lying if I said the backlash didn’t affect me deeply. I wanted to hide for the entire year following. What’s changed in ten years? Then I was writing for shock affect, this time I was authentically expressing myself and my experience. I think I just have a somewhat salacious way of moving through life. I’ve also had ten years of rejection and disappointment to get me primed.
Okay, controversy. Okay, Burning Man. I’ve said all I can say. I’m done. For the year. Or longer. Or not.
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Lately, I feel grumpy. It’s July, which means days are long and hot. Pool parties. The beach. Short shorts. Blah fucking blah. In other words, a constant reminder that despite my best intentions, somewhere along the line I sold out and became an adult.
I feel nostalgia for the summer of my youth so heavy I can’t breathe. Growing up in the tiny ranch town of Gardnerville, Nevada meant summers were like a country music video on repeat. Especially the sweet spot between ages fifteen and seventeen, when we were old enough to drive but too young to go anywhere.
The launch of summer was Carson Valley Days, the town parade and carnival at Lampe Park. Everyone came and everyone rode the same five rides we’d been riding since we were kids. We spent summer days at Lake Tahoe and summer nights at the river. Cheap beer was usually involved. We rode in the back of pickup trucks, driving too fast down county lanes, nothing but the stars above and our uncertain futures ahead.
I took this photo a few summers ago on a road trip with my muse Paije. We weren’t in Gardnerville, but the feeling was the same.
The lack of options is what created the bliss. Gardnerville had one movie theater and lots of empty Earth. Social life meant seeing the same movie for the fifth time, or circling up around a bonfire in the desert or the woods, drinking our parents’ purloined liquor and blasting Country Grammar (I know I just seriously dated myself, but Nelly’s debut album was really tight).
I marvel at how we found these bonfire spots. Before Waze, before texting. I guess we called each other on land lines and wrote down the directions?
That same summer road trip. I wish I had pics of my Gardnerville youth, but I can’t seem to find many.
I could devote an entire book to growing up Gardnerville, and I still might. But for now the last thing I’ll mention here is the scent — summer nights in the ‘Ville are the aroma of hay fields, fresh unpolluted oxygen, cows, wholesome American dreams. I know I’m waxing poetic, we always look back on our youth with a rose-colored lens.
But no matter how many cities I visit, or fancy Hollywood events I attend, nothing feels as great as being seventeen on a summer night, surrounded by my gang of friends, parked at the river, singing Garth Brooks into the night.